NODE course: Art criticism and writing – Week 3

Assignment:

Submission:

I was looking for an exhibition to go to with my daughter who lives abroad and was in London for the weekend. After reading a couple of reviews, I decided on ‘Do Ho Suh: Walk the House’ at Tate Modern.

The exhibition was very busy as it was the last weekend of the show after the end date was extended. As we walked between the monumental exhibits whilst navigating the crowd, I could hear frequent bleeping sounds. It was the threshold-wire sensors protecting the displays being triggered by keen viewers leaning too closely to examine the details.

A video playing on a small screen captured the artist working meticulously. A young couple standing next to me gave a running commentary in Cantonese about the intricate process and delicate materials used. It made me nostalgic because the artist’s hands reminded me of my brother’s when he worked on his wood board carving; they both use their slender but strong fingers with the same intensity. I was mesmerised by my own nostalgia.

A thin curtain separated a large area where a film was projected onto an entire wall. Two labels on the wall at the entrance to the area described the locations of the film. We couldn’t read the detailed descriptions as more people were pushing to come in. We gleamed the headlines and started watching. My daughter turned to me and said, ‘I’ve lived in places like that.’ I replied, ‘So have I.’ ‘Yeah, pretty universal,’ she muttered. I was not sure if she meant the experience or the place. Perhaps both.

We were drawn to a darker corner with intrigue. Looking through a gap between semi-transparent panels, I met eyes with another visitor. There was a momentary connection then we both looked away. My daughter called me over and said, ‘Look, Mum, there is a miniature toilet.’ We both laughed and took pictures of the toilet.

We returned to the exhibits in the main area. I felt my phone vibrate. It was my daughter posting a photo on the family chat of me staring intently at a display with the caption ‘When art meets electrical engineering. Rapt.’ We played who could name the country of origin of the pieces on display judging by the shape of the electric sockets. It then occurred to me that I moved away from home to another country when I was young and she has moved away from her home country, too. We now have that shared experience. I wonder where she calls home now.

Wading through a crowd watching another large film projection, some standing and some sitting on the floor, we reached the gift shop. The final few fridge magnets were half price. It’s the last weekend after all.

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